Earl D. Coobs writes from a lifetime spent watching America up close. Raised in the rolling hills of Northeast Iowa, he learned early how small town rhythms and quiet landscapes can hide complicated lives. For more than fifty years, he drove trucks across the nation’s highways and back roads, logging millions of miles and absorbing the grit, kindness, loneliness, humor, and hard truths that surface in ordinary places. Now retired in Reidsville, Georgia, Coobs is finally putting those long held impressions on the page, shaping stories that feel grounded, unsettling, and sharply human. His published works include The Gospel of Silas: A Story of Unadulterated Evil, Bus Number 43, The Obsidian Rig: A Corrugated Soul, and The Oracle of the Seas. He explores what people carry and conceal quietly. With additional projects in development, he continues to draw on a road tested perspective, inviting readers into vivid worlds that linger well after the last line.
Among Earl D. Coobs’ published work, The Gospel of Silas stands out as a chilling exploration of faith shaped by fear instead of compassion. The novel follows Silas Richter, a boy raised in a severe, rule bound religious home where punishment is treated as devotion and love is rationed like instruction. As illness and isolation close in, Silas finds comfort in something forbidden, reshaping how he understands power, belief, and survival. Years later, he returns as a charismatic traveling preacher, welcomed by towns hungry for certainty, while beneath his sermons, spiritual guidance begins to blur into control and moral ruin.
In The Obsidian Rig, Earl D. Coobs shifts the terror onto the open road, blending supernatural horror with the stark realism of highway life. The story centers on a flawless obsidian black 1972 Peterbilt 359 that becomes the cover for an ancient evil. Buried within its engine block is the Ancestral Ray Seed, a black crystalline core tied to wartime experimentation and drawn to raw metal. Once bonded with the truck, the rig heals itself, erases evidence, and selects drivers fraying from grief, addiction, or desperation, nudging them toward violence that looks ordinary from the outside, even legitimate and safe. In Bus Number 43, Earl D. Coobs turns a familiar Midwest routine into a tense speculative thriller rooted in identity and survival. On an ordinary 1955 morning in Iowa, Greyhound driver Raymond Olsen begins a standard route with passengers expecting another day on the road. That changes when they encounter a mysterious column of light on Highway 52. When the light releases them, Ray and the passengers discover the world outside has leapt forward to 1995. They face government scrutiny, public exposure, legal battles, and the unsettling question of whether they still have the right to live freely as citizens.
In his latest work, The Oracle of the Seas, Earl D. Coobs carries his fascination with displacement and hidden power onto open water. The Atlantic Ocean is calm, the skies are clear, and then the cruise ship is simply gone. No wreckage. No distress call. Two thousand people vanish into a rupture in reality. Onboard, waves repeat, time stutters, and survival depends on accepting the impossible. Outside, governments, scientists, and a shadowy consortium race to control the story, because the disappearance is not an accident. It is data, and the survivors may become the key to weaponizing time itself forever.
Across The Gospel of Silas, The Obsidian Rig, Bus Number 43, and The Oracle of the Seas, Earl D. Coobs writes suspense that stays grounded in human pressure points: faith twisted into control, evil hidden in plain sight, ordinary people forced to prove they belong, and survival tested against forces beyond explanation. His stories return to questions of conscience, power, and endurance, whether on a pulpit, a highway, a road that bends through time, or a cruise ship trapped outside the normal flow of reality.
